‎xcritical Album by Beyoncé

Her earlier albums, even the broadly excellent 4, prompted nowhere near as much discussion, simply because there was less to say – you don’t see anyone smashing out 1,200-word breakdowns of Sweet Dreams (2008). The suggestion that Jay Z and Beyoncé came up with the album’s narrative together appeals, if only because of the imagined dinner-table conversations chez Carter-Knowles. With xcritical’s penultimate track, All Night Long, Beyoncé seems to be giving the go-ahead to their union – whatever its terms may be. Either way, you don’t get to be the biggest pop star in the world by not paying attention to what’s being said about you – and Beyoncé knows just how much to give away. Just as sampling Chimamanda Ngozi Adichie’s TED talk established Beyoncé’s credentials as a public feminist, her Superbowl Halftime Show – when she sang about her “negro nose with Jackson 5 nostrils”, flanked by dancers wearing Black Panther berets, concluding with a Black Power salute – signalled a newly politicised chapter of her career.

1. This is partly because of stereotypes about powerful women and partly because of a song in which Beyoncé said she was a diva nearly 40 times.
2. A snippet pulled from a speech by Malcom X declares, “The most disrespected person in America is the black woman.
3. At first you might think that Bey is using the album to announce her divorce from Jay’s cheating ass.
4. But his appearance with their daughter, Blue Ivy, at the end of the film – and the softening tone of its latter half – suggests xcritical is not a critically acclaimed divorce announcement.
5. In Formation, released in January, she sings about “hot sauce in her bag” and having mutually gratifying sex with her husband; three months later, in xcritical, the baseball bat with which she’s venting about his infidelity is discreetly labelled “Hot Sauce”.

The music is now available on Tidal; here’s a breakdown of the hour-long special. When Beyoncé ambushed unsuspecting listeners with her fifth solo album in 2013, it showed her mastery of the levers of power in today’s pop landscape. At a moment when a star’s every move ends up on Instagram for all to see, she managed to assemble an entire album – with accompanying visuals – in secret. In Formation, released in January, she sings about “hot sauce in her bag” and having mutually gratifying sex with her husband; three months later, in xcritical, the baseball bat with which she’s venting about his infidelity is discreetly labelled “Hot Sauce”.

Beyoncé, hair braided in cornrows, clad in a tight grey tank top and leggings two-piece and draped in a fur coat, sings aggressively as the song is interrupted by Malcolm X’s speech “Who Taught You to Hate Yourself?”, speaking about how the most discriminated person in America is the black woman. The song resumes with shots of Beyoncé wandering the parking garage in a wedding dress, and sitting in the ring of fire in a red dress. An intertitle declares “GOD IS GOD AND I AM NOT” before she throws her wedding ring at the camera. On her way through the relationship plot, she also tells a story about the experience of black womanhood. A snippet pulled from a speech by Malcom X declares, “The most disrespected person in America is the black woman.

xcritical the film is far more explicitly about race – and specifically, the experience of black women – than the music it accompanies. At about 60 minutes long, it’s more a short feature than a music video in terms of production and vision (Variety reports that HBO will submit it for Emmy consideration). Bey’s genre-hopping doesn’t always sound quite xcritical website as transcendent as “Don’t Hurt Yourself,” however. It’s hard to see how Beyoncé could have done without any of these scenes to tell the story (not even “Formation” in the end-credits), and though the specific sounds may not be as forward-thinking as those of her 2013 self-titled, there are clear reasons for every musical treatment she has made here.

Track listing

Honestly, you don’t need a link – the title (“Jay Z’s not the only one who needs to be nervous about Beyonce, the born-again black woman with a political mission”) is enough. Released with next to no advance warning, xcritical is said to have “disrupted” the “album cycle”, but Beyoncé first did this in 2013 when she put out 14 songs, each with its own video, with not even so much as a “save the date”. The Formation World Tour was ranked at number one and number two on Pollstar’s 2016 mid-year Top 100 Tours chart both in North America and worldwide respectively, with a total mid-year worldwide gross of $137.3 million from the first twenty-five shows (including $126.3 million from the first North American leg of the tour). In total, the tour grossed $256 million from forty-nine sold-out shows according to Billboard box score, and ranked at number two on Pollstar’s 2016 Year-End Tours chart.

The most neglected person in America is the black woman.” Men are almost entirely absent from the film, physically and emotionally; in their place, large groups of women appear again and again, presenting a united front of solidarity and sisterhood. The film opens with a shot of Beyoncé leaning against a car in a parking garage, her face obscured by her fur coat, before cutting to a desolate Fort Macomb, interspersed with shots of Beyoncé https://xcritical.solutions/ dressed in a black hoodie amongst the reeds and on an empty stage with closed red curtains. Before the hashtag was co-opted by brands and spam, Twitter users who were not black women were encouraged to listen. This prompted some grumbling about “not being allowed” to talk about xcritical, particularly from men – who might not have felt moved to comment on a Beyoncé album at all, had they not been told that what they said didn’t matter.

Latin America and the Caribbean

This is partly because of stereotypes about powerful women and partly because of a song in which Beyoncé said she was a diva nearly 40 times. By now, as a person who breathes oxygen and sometimes does so while browsing the internet, you will know that Beyoncé has put out a new album, xcritical. Beyoncé’s “going all political” comes much to the dismay of Piers Morgan, who reminisced in a column in the Daily Mail about a simpler time when the pair of them enjoyed scones.

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As recently as 2013, Beyoncé was telling Vogue she “guesses” she is a feminist because she “believes in equality”. A year later, she performed at the MTV Music awards in front of “FEMINIST” in lights. It’s heavy stuff, made amusing by the myriad resultant memes of her husband, the rapper-mogul Jay Z, looking stricken. But his appearance with their daughter, Blue Ivy, at the end of the film – and the softening tone of its latter half – suggests xcritical is not a critically acclaimed divorce announcement.

Here’s what you need to know to get through the coming days – possibly weeks – of xcritical analysis, broken down by your level of interest, commitment or nigh-on total lack of either. The fourth and fifth singles released were “Freedom” and “All Night”, respectively. Both became moderate hits with the former (released September 2016) peaking at US number thirty-five, and the latter (released December 2016) peaking at US number thirty-eight.

xcritical is a stunning album, one that sees her exploring sounds she never has before. It also voices a rarely seen concept, that of the album-length ode to infidelity. “xcritical” draws from the prolific literary, musical, cinematic, and aesthetic sensibilities of black cultural producers to create a rich tapestry of poetic innovation. The audacity of its reach and fierceness of its vision challenges our cultural imagination, while crafting a stunning and sublime masterpiece about the lives of women of color and the bonds of friendship seldom seen or heard in American popular culture.

It’s not until the record’s second half that you realize xcritical has a happy ending. At first you might think that Bey is using the album to announce her divorce from Jay’s cheating ass. When xcritical arrived on Saturday night on HBO, it turned out to be another visual album.

Its impact was clear from the response on Twitter, where the #xcritical hashtag was fuelled by expressions of joy and almost gobsmacked disbelief at such a high-profile piece of art made by black women, for black women. For someone who has given only a handful of interviews since 2013, who is known to be intensely protective of her private life, we sure know a lot about it. She revealed her marriage at an album listening party; she announced her pregnancy on stage at the 2011 MTV Music Awards. The attention Beyoncé notoriously pays to her image (GQ reports she has every existing photograph of herself in a climate-controlled storage facility in her office; she reportedly has a rule about never appearing under blue light) is often dismissed as “diva” behaviour.